Gaga signing Stephanie Picher’s book.

R.I.P. You will always be remembered monster. You created such an amazing place on facebook for me and other monsters to go to. I will always be thankful for that.

» posted by trichkov
» via  xxartpopxx   (originally  xxartpopxx)
3 hours ago on 31 July 2014 @ 4:03am 42 notes


gaga + monsters in ❤ forever!

» posted by trichkov
» via  xxartpopxx   (originally  goddess-of-venus)
3 hours ago on 31 July 2014 @ 4:01am 826 notes

Nothing has changed, 6 years later and Lady Gaga still sings with her friend, Brian Newman, at her favorite New York City bar.

» posted by trichkov
» via  shinygays   (originally  ilivefortheapplause)
3 hours ago on 31 July 2014 @ 3:40am 1,096 notes


Having already debuted at the Louvre last fall, Robert Wilson’s video portraits of Lady Gaga were no less eerily beautiful when they were introduced to American audiences this past Saturday evening at the Watermill Center. There, at the extraordinary annual benefit to support what founder Wilson calls “a laboratory for performance,” Hamptons patrons took in what are perhaps the most muted and also the most interesting of Gaga’s artist collaborations to date. Where the grandiosity of other projects that coincided with the release of her underwhelming 2013 album Artpop ultimately felt flimsy—notably those taking a page from Marina Abramović and with Jeff Koons—the Wilson portraits present something that feels genuinely different, not only for Gaga but also for art. 

One, in particular, sees Gaga embody Mademoiselle Caroline Rivière, who was in her early teens when Jean-Auguste-Dominique Ingres painted her portrait in 1806. With the costume and setting of Ingres’ original exactingly imitated, Wilson and Gaga then go off script in a nearly ten-minute video, a portion of which is seen here, that breathes life into its Neoclassical antecedent—quite literally, in fact, as one barely perceives the slow rise and fall of Gaga’s chest as she respires. Steadily falling teardrops, a swan in slow-motion flight, and a violin-based score further differentiate Wilson’s work from Ingres’ painted original, which was clearly just a starting point for his work with Gaga. Perhaps most remarkable here is the global pop star’s ability to completely disappear into a character other than herself. And actually, after witnessing Wilson’s Mademoiselle Caroline Rivière, it won’t sound so surprising to hear that Gaga will appear alongside Bruce Willis and Jessica Alba next month in the sequel to Frank Miller’s Sin City.  

Video Portraits of Lady Gaga by Robert Wilson is on view at the Watermill Center until September 14, 2014.

(Credit: Mark Guiducci Vogue)

» posted by trichkov
» via  carmelinaxox   (originally  gagaroyale)
7 hours ago on 31 July 2014 @ 12:15am 177 notes

Lady Gaga & Tony Bennett at Frank Sinatra School of the Arts [x]

» posted by trichkov
» via  carmelinaxox   (originally  dreamingwithgaga)
7 hours ago on 30 July 2014 @ 11:52pm 623 notes

July 30th, 2014: Leaving her apartment in New York City

» posted by loveorfame
» via  tealwig   (originally  ladyxgaga)
8 hours ago on 30 July 2014 @ 10:54pm 1,051 notes
» posted by trichkov
» via  peacelove-art   (originally  amenvenus)
15 hours ago on 30 July 2014 @ 4:10pm 2,208 notes

Review: Anything Goes - Lady Gaga and Tony Bennet

Check out this review of “Anything Goes” our member trichkov did! 

» posted by trichkov
1 day ago on 30 July 2014 @ 2:35am 3 notes



» posted by trichkov
» via  ladygaga-harrystyles   (originally  gagaxguy)
1 day ago on 30 July 2014 @ 12:45am 352 notes
» posted by trichkov
» via  asfreeasmyself   (originally  artmonsters)
1 day ago on 30 July 2014 @ 12:29am 100 notes